Showing posts with label Symbols. Show all posts
Showing posts with label Symbols. Show all posts
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Masons, Jews, and Mosaic Pavements

If you have been to the colonial Jewish synagogues in Curaçao, Barbados, or Suriname, or the (Old or New) Jewish Cemeteries in Curaçao, you will begin no notice recognize an interesting pattern: black and white tiles arranged in checkerboard fashion surrounding entrances to buildings and around the base of gravestones.  This pattern can also be seen in the nineteenth-century Jewish houses in the Scharloo district of Curaçao. It is often referred to by the name "mosaic pavement." (Mosaic Pavement outside Neve Shalom Synagogue in Paramaribo, Suriname at Left.)

Mosaic Pavement in the Newer Jewish Cemetery in Curaçao
If you are a freemason, the pattern will seem doubly familiar. Mosaic pavement was (and is) a staple of both Masonic architecture and ritual objects. Masonic carpets and later floorings employed the mosaic pavement motif. used the pavement in the center of their sanctuaries either in tile or on a rug, usually surrounded by a border and with the symbol of a blazing star at the center. Although Masons were not the only people to use this type of flooring during this era, mosaic pavement took on special resonance within Masonic rites and are usually noted in emblem charts (like the one below) and were often used in Masonic lodges during the eighteenth and nineteenth centuries.

Emblematic chart and Masonic history of F[ree] and A[ccepted] M[asons] / Ramsey, Millet, & Hudson Steam. Lith. Co. (Kansas City, Mo. : W.M. Devore, publisher, c1877). Courtesy of the Library of Congress, LC-DIG-pga-02426
Samuel Lee, Orbis miraculum
London, 1659
Masons--like early American Jews--were interested in mosaic pavements for a reason.  Neo-classical marble checkerboard floorings reflected a general interest in antiquity, but they were also explicitly associated with Solomon’s Temple throughout the seventeenth to nineteenth centuries. While Amsterdam Rabbi Leon de Templo depicts the interior courtyard of the Temple Mount in his model as paved in uniform square tiles, other scholars of the Temple explicitly used the checkerboard motif for the Temple’s courtyard, such as Samuel Lee in the diagram to the left. By at least 1730, mosaic pavement design (often in the form of a floor cloth) was a mainstay of Masonic Temples because of the pavement’s Solomonic association. When early Masons met in coffee shops, they decorated the meeting spaces with Temple motifs.

Indeed, until the nineteenth century when lodges expanded their membership and more routinely acquired property, lodges used portable symbols, badges and signs to signal connections to Solomon’s Temple and set an appropriate mood for meetings. Other important Temple symbols used in masonic rites included the Ark of the Covenant and the pillars of Jachin and Boaz (the two pillars in the emblem chart above).  Even the apron worn by masons (such as George Washington below) has been read as related to ephod (apron) of the sacred garments of the Kohen Gadol, shown below on the left of the frontispiece of the Amsterdam Haggadah of 1695.

George Washington in Masonic Regalia, including the Masonic Apron. "Washington as a freemason," ( c1867). Courtesy of the Library of Congress, LC-DIG-pga-04176


Seder Haggadah shel Pesah (Passover Haggadah) (Amsterdam, 1695). Library of Congress, Hebraic Collection.




To learn more about connections between Jews and Masons, see my earlier post on Masonic Jews and my chapter on  "The Secret Lives of Men" in Messianism, Secrecy, & Mysticism: A New Interpretation of Early American Jewish Life (2012).  In my book, I talk about some of the key differences between the Jewish and Masonic uses of mosaic pavement, and the reasons why freemasonry was popular among early American Jews.

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Cemetery Cats

This post is dedicated to the felines of the Atlantic World: those sun-loving souls who spend their days (and nights) lounging in the cemeteries that grace the Atlantic Rim. This week I feature two cemetery cats: Wunzie (Newport) and Iyar (Ouderkerk aan de Amstel) as well as their sepulchral companions, the lions carved onto Beth Haim Ouderkerk gravestones.

Cat Number One: Wunzie. Officially, Wunzie lives down the street from the Trinity Church Cemetery in Newport, RI. Last time I was in Newport, however, Wunzie spent most of her time sunning herself on table stones and chasing bugs among the upright markers. A black and white DSH (domestic short hair: veterinary speak for "cat mutt") with a sparkling personality, Wunzie likes to ham it up for the camera.

Interestingly enough, Wunzie isn't the only "Anglican by choice" to hang around Trinity. Not all of the conversos who arrived in Newport from the Iberian Peninsula returned to Judaism. One of Aaron Lopez's cousins, for example, named James Lucena decided to become an Anglican instead. James eventually returned to Portugal (and Catholicism), but his son John Charles Lucena married a non-Jewish woman and was buried in an Anglican cemetery in London. Here are a few shots of Wunzie in her favorite haunt. If anyone in Newport knows how Wunzie is doing, let me know!


Wunzie Modeling a "Table Stone," Trinity Church (Anglican) Cemetery, Newport RI


Wunzie Catching a Bug, Trinity Church (Anglican) Cemetery, Newport RI

Cat Number Two: Iyar. Iyar is an official graveyard cat of the historic Portuguese-Jewish cemetery in Ouderkerk aan de Amstel in the Netherlands. She lives in the Caretaker's House with her younger cat companion and her master, Dennis Ouderdorp, who knows more about Jewish Cemeteries than anyone I have ever met. (Because I lack social graces, I only have a picture of Dennis's cat, and not Dennis himself.) Named for the Hebrew month of Iyar (meaning "Rosette" or "blossom"), Iyar is the matriarch of the cemetery. You will notice that like Wunzie, Iyar is a black and white DSH. Coincidence? I think so. The day I was in Ouderkerk ann de Amstel it was pouring rain, so I don't have quite as many photos of Iyar as I'd like, but here is another of her on one of the flat Sephardic table stones.


Iyar on an unidentified Table Stone, Beth Haim Ouderkerk

Iyar and her companion aren't the only cats in Beth Haim Ouderkerk. Although the earliest gravestones at Beth Haim Ouderkerk are free of images of living things, by the 1650s the use of vegetation appears, followed by death’s heads and human hands in the 1660s. By the 1680s animals, angels and biblical scenes with humans appear. One of the most popular animals to grace the stones are lions, several styles of which can be found in the cemetery. Lions are an important Jewish symbol, and often appear on Jewish ceremonial art, such Arks, Torah crowns, and menorot. The JHOM speculates that, "It is possible..that these lions, particularly those on many Torah Ark doors and curtains, are symbolic replacements of the original cherubim that once adorned the Ark of the Tabernacle in the Mishkan (portable Temple in the wilderness) and the Temple in Jerusalem." Lions—associated with the tribe of Judah and the Davidic monarchy—evoked the messiah and hence are an important eschatological reference. Lions are also associated with the Spanish-Portuguese name "Leon" (literally "lion") and are a common heraldic symbol (for example they are found on the coat of arms for "Castile and Leon," Spain and the Netherlands). Many of the lions in Beth Haim Ouderkerk are on heraldic lions (for example above right, gravestone of Benjamin Senior Teixeira, 1744). They can also be found, however, in biblical scenes, such as the one below depicting Daniel and the lions.


Detail of Gravestone Depicting Daniel and the Lions, Beth Haim Ouderkerk

Photo Credits: All Photos Laura Leibman, 2007-2009. Courtesy of Beth Haim Ouderkerk aan de Amstel.